Free Lyrics 2026

Sheryl Crow ~ The Book


I read your book And I find it strange That I know that girl and I know her world A little too well And I didn't know By giving my hand That I would be written down, sliced around, Passed down Among strangers hands Three days in Rome Where do we go I'll always remember Three days in Rome Never again Would I see your face You carry a pen and a paper and no time and words you waste You're a voyeur The worst kind of thief To take what happened To write down everything that went on Between you and me Three days in Rome And I stand alone I'll always remember Three days in Rome more free lyrics

I read your book
And I find it strange
That I know that girl and I know her world
A little too well
And I didn't know
By giving my hand
That I would be written down, sliced around,
Passed down
Among strangers hands

Three days in Rome
Where do we go
I'll always remember
Three days in Rome

Never again
Would I see your face
You carry a pen and a paper
and no time and words you waste
You're a voyeur
The worst kind of thief
To take what happened
To write down everything that went on
Between you and me

Three days in Rome
And I stand alone
I'll always remember
Three days in Rome

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Globalized Sounds

Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.

The Power of the Scene

When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.

Crossing Borders

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