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Blues Brothers, The ~ Guilty


Yeah baby, yeah i've been drinkin'
And i, i shouldn't come by, no
But i found myself in trouble
And i had nowhere else to go


Got some whiskey from the barman
I got some cocaine from my friends
I gotta keep on movin'
Til i'm back in your arms again


Guilty, yes i'm guilty
And i'll be guilty for the rest of my life
How come baby, how come i never do what i'm supposed to do
How come everything i try never turns out right?


You know how it is with me baby
You know i just can't stand myself
And it takes a whole lot of medicine darling
For me to pretend that i'm somebody else





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Global Music: Unbounded Sound Waves
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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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