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Amen ~ Celebrate Annhilation


Death wrapped its arms around you
No not the way they used to
Let them in
I ain't gonna let you in
I ain't gonna let you in
My tracks are what you want

Decayed myself it's hard to control
Left your side i start to erode
Who got to be the slave
I must destroy what i made
I must destroy what i made

It's a
Celebration
Annihilation
In this
Celebration
Annihilation

Arm yourself and don't hesitate
Arm yourself and don't hesitate

I walk around you everyday
I'm in around you in every way
Who got to be the slave
I must destroy what i've made
I must destroy what i've made

It's a
Celebration
Annihilation
It's a
Celebration
Annihilation

Bed...red...bed...found
King...king...king...king

You're crowned


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
The Power of the Scene
When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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