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A.r. Kane ~ One Way Mirror


Check over, dry grey face
Move over, push, displace
In trying, i'm lying, still crying, just like diving

Waist of her moves, of drip-dried skin
Her face that's too hard to be suffered with

Ladies never, never touch me
(i just don't wanna dance)
(?) to speak my peace
Luscious love to (?)
It's on the other side from you

Incomplete courses from unstable horses
Such my like, feel
This brittle glass won't take no more

What can you lose when your everything
I'm holding on 'til i lose my skin
I'm holding on 'til i lose my skin

Ladies never, never touch me
(i just don't wanna dance)
(?) to speak my peace
Luscious love to see their (teeth?)
It's on the other side from you

It's on the other side from you


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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