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16 Horsepower ~ Ditch Digger (u.s.)


I dug on down - for to see my true love
She is the only - girl i will speak of
Yes i went on down for to get my girl
An' free her from the devil's world
I hear the sound of her heart a poundin'
Fear was the hole boy that she wer' found in
The tears of my lord
Yes they run to the ground
Amazing grace how sweet the sound
Yes i wen' on down for to see my true love
Yeah an' i foun' trouble there
But even so i thank the lord for givin' me
And givin' one so fair


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Global Music: Unbounded Sound Waves
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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
Crossing Borders
Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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