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Song Lyrics by Talking Heads



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1 Air Fear Of Music
2 Animals Fear Of Music
3 Cities Fear Of Music
4 Drugs Fear Of Music
5 Electric Guitar Fear Of Music
6 Heaven Fear Of Music
7 I Zimbra Fear Of Music
8 Life During Wartime Fear Of Music
9 Memories Can't Wait Fear Of Music
10 Mind Fear Of Music
11 Paper Fear Of Music
12 (give Me Back My) Name Little Creatures
13 And She Was Little Creatures
14 Creatures Of Love Little Creatures
15 Perfect World Little Creatures
16 Road To Nowhere Little Creatures
17 Stay Up Late Little Creatures
18 Television Man Little Creatures
19 The Lady Don't Mind Little Creatures
20 Walk It Down Little Creatures
21 Artists Only More Songs About Buildings
22 Found A Job More Songs About Buildings
23 I'm Not In Love More Songs About Buildings
24 Stay Hungry More Songs About Buildings
25 Take Me To The River More Songs About Buildings
26 Thank You For Sending Me An Angel More Songs About Buildings
27 The Big Country More Songs About Buildings
28 The Girls Want To Be With The Girls More Songs About Buildings
29 The Good Thing More Songs About Buildings
30 Warning Sign More Songs About Buildings
31 With Our Love More Songs About Buildings
32 (nothing But) Flowers Naked
33 Big Daddy Naked
34 Bill Naked
35 Blind Naked
36 Cool Water Naked
37 Mommy Daddy You & I Naked
38 Mr. Jones Naked
39 Ruby Dear Naked
40 The Democratic Circus Naked
41 The Facts Of Life Naked
42 Totally Nude Naked
43 Once In A Lifetime Once in a Lifetime
44 Life During Wartime (Live) Once in a Lifetime
45 Blind Once in a Lifetime
46 (Nothing But) Flowers Once in a Lifetime
47 Lifetime Piling Up Once in a Lifetime
48 Wild WIld Life Once in a Lifetime
49 Sax And Violins Once in a Lifetime
50 Take Me To The River Once in a Lifetime
51 This Must Be The Place (Naive Melody) Once in a Lifetime
52 Slippery People (Live) Once in a Lifetime
53 Burning Down The House Once in a Lifetime
54 Psycho Killer Once in a Lifetime
55 Road To Nowhere Once in a Lifetime
56 And She Was Once in a Lifetime
57 Born Under Punches Remain In Light
58 Crosseyed And Painless Remain In Light
59 Houses In Motion Remain In Light
60 Listening Wind Remain In Light
61 Once In A Lifetime Remain In Light
62 Seen And Not Seen Remain In Light
63 The Great Curve Remain In Light
64 The Overload Remain In Light
65 Burning Down The House Stop Making Sense
66 Girlfriend Is Better Stop Making Sense
67 Life During Wartime Stop Making Sense
68 Once In A Lifetime Stop Making Sense
69 Psycho Killer Stop Making Sense
70 Slippery People Stop Making Sense
71 Swamp Stop Making Sense
72 Take Me To The River Stop Making Sense
73 What A Day That Was Stop Making Sense
74 Heaven Stop Making Sense
75 Don't Worry About The Government Talking Heads '77
76 First Week/last Week...carefree Talking Heads '77
77 Happy Day Talking Heads '77
78 New Feeling Talking Heads '77
79 No Compassion Talking Heads '77
80 Psycho Killer Talking Heads '77
81 Pulled Up Talking Heads '77
82 Tentative Decisions Talking Heads '77
83 The Book I Read Talking Heads '77
84 Uh-oh, Love Comes To Town Talking Heads '77
85 Who Is It? Talking Heads '77
86 City Of Dreams True Stories
87 Dream Operator True Stories
88 Hey Now True Stories
89 Love For Sale True Stories
90 Papa Legba True Stories
91 People Like Us True Stories
92 Puzzling Evidence True Stories
93 Radio Head True Stories
94 Wild Wild Life True Stories
95 A Clean Break unknown
96 Gangster Of Love unknown
97 I Get Wild / Wild Gravity unknown
98 I Wish You Wouldn't Say That unknown
99 Lifetime Piling Up unknown
100 Love Goes To Building On Fire unknown
101 Making Flippy Floppy unknown
102 Moon Rocks unknown
103 Popsicle unknown
104 Pull Up The Roots unknown
105 Sax And Violins unknown
106 This Must Be The Place (naive Melody) unknown

Who is Talking Heads


The band played their first gig as Talking Heads, opening for the Ramones at the CBGB club on June 5, 1975.[2] According to Weymouth, the name Talking Heads came from an issue of TV Guide, which "explained the term used by TV studios to describe a head-and-shoulder shot of a person talking as 'all content, no action'. It fit."[17] Later that year, the band recorded a series of demos for CBS, but did not receive a record contract. However, they drew a following and signed to Sire Records in November 1976. They released their first single in February the following year, "Love → Building on Fire". In March 1977, they added Jerry Harrison, formerly of Jonathan Richman's band the Modern Lovers, on keyboards, guitar, and backing vocals.[18] Gary Kurfirst started managing the Talking Heads in 1977.[19] The first Talking Heads album, Talking Heads: 77, received acclaim and produced their first charting single, "Psycho Killer".[20] Many connected the song to the serial killer known as the Son of Sam, who had been terrorizing New York City months earlier; however, Byrne said he had written the song years prior.[21] Weymouth and Frantz married in 1977.[22] 1978–1980: Collaborations with Brian Eno[edit] Main articles: More Songs About Buildings and Food, Fear of Music, and Remain in Light More Songs About Buildings and Food (1978) was Talking Heads' first collaboration with the producer Brian Eno, who had previously worked with Roxy Music, David Bowie, John Cale and Robert Fripp;[23] the title of Eno's 1977 song "King's Lead Hat" is an anagram of the band's name. Eno's unusual style meshed with the group's artistic sensibilities, and they began to explore an increasingly diverse range of musical directions, from psychedelic funk to African music, influenced prominently by Fela Kuti and Parliament-Funkadelic.[24][25][26] This recording also established the band's relationship with Compass Point Studios in Nassau, Bahamas. More Songs About Buildings and Food included a cover of Al Green's "Take Me to the River". This took Talking Heads into the public consciousness and gave them their first Billboard Top 30 hit.[26] Talking Heads perform. Pictured: Harrison (left) and Byrne. Harrison (left), Frantz (middle) and Byrne (right) performing with Talking Heads in 1978 The collaboration continued with Fear of Music (1979), with the darker stylings of post-punk rock, mixed with white funkadelia and subliminal references to the geopolitical instability of the late 1970s.[26] Music journalist Simon Reynolds cited Fear of Music as representing the Eno-Talking Heads collaboration "at its most mutually fruitful and equitable".[27] The single "Life During Wartime" produced the catchphrase "This ain't no party, this ain't no disco".[28] The song refers to the Mudd Club and CBGB, two popular New York nightclubs of the time.[29] Remain in Light (1980) was heavily influenced by the afrobeat of the Nigerian bandleader Fela Kuti, whose music Eno had introduced to the band. It explored West African polyrhythms, weaving these together with Arabic music from North Africa, disco funk, and "found" voices.[30] These combinations foreshadowed Byrne's later interest in world music.[31] In order to perform these more complex arrangements, the band toured with an expanded group, including Adrian Belew and Bernie Worrell, among others, first at the Heatwave festival in August,[32] and later in their concert film Stop Making Sense.[citation needed] During this period, Weymouth and Frantz formed a commercially successful splinter group, Tom Tom Club, influenced by the foundational elements of hip hop,[33] and Harrison released his first solo album, The Red and the Black.[34] Byrne and Eno released My Life in the Bush of Ghosts, which incorporated world music, found sounds and a number of other prominent international and post-punk musicians.[35] .mw-parser-output .side-box{margin:4px 0;box-sizing:border-box;border:1px solid #aaa;font-size:88%;line-height:1.25em;background-color:var(--background-color-interactive-subtle,#f8f9fa);display:flow-root}.mw-parser-output .side-box-abovebelow,.mw-parser-output .side-box-text{padding:0.25em 0.9em}.mw-parser-output .side-box-image{padding:2px 0 2px 0.9em;text-align:center}.mw-parser-output .side-box-imageright{padding:2px 0.9em 2px 0;text-align:center}@media(min-width:500px){.mw-parser-output .side-box-flex{display:flex;align-items:center}.mw-parser-output .side-box-text{flex:1;min-width:0}}@media(min-width:720px){.mw-parser-output .side-box{width:238px}.mw-parser-output .side-box-right{clear:right;float:right;margin-left:1em}.mw-parser-output .side-box-left{margin-right:1em}}.mw-parser-output .listen .side-box-text{line-height:1.1em}.mw-parser-output .listen-plain{border:none;background:transparent}.mw-parser-output .listen-embedded{width:100%;margin:0;border-width:1px 0 0 0;background:transparent}.mw-parser-output .listen-header{padding:2px}.mw-parser-output .listen-embedded .listen-header{padding:2px 0}.mw-parser-output .listen-file-header{padding:4px 0}.mw-parser-output .listen .description{padding-top:2px}.mw-parser-output .listen .mw-tmh-player{max-width:100%}@media(max-width:719px){.mw-parser-output .listen{clear:both}}@media(min-width:720px){.mw-parser-output .listen:not(.listen-noimage){width:320px}.mw-parser-output .listen-left{overflow:visible;float:left}.mw-parser-output .listen-center{float:none;margin-left:auto;margin-right:auto}} "Once in a Lifetime" The fourth song from Remain in Light utilized Eno's Oblique Strategies technique and featured Byrne's alienated meditation on life. The song was named one of the 100 most important American musical works of the 20th century by NPR.[36] Problems playing this file? See media help. Remain in Light's lead single, "Once in a Lifetime", became a Top 20 hit in the UK, but initially failed to make an impression in the US. It grew into a popular standard over the next few years on the strength of its music video, which Time named one of the greatest of all time.[37][38] 1981–1991: Commercial peak and breakup[edit] Main articles: Speaking in Tongues (Talking Heads album), Little Creatures, True Stories (Talking Heads album), and Naked (Talking Heads album) After releasing four albums in barely four years, the group went on a recording hiatus, and nearly three years passed before their next release, although Frantz and Weymouth continued to record with the Tom Tom Club. In the meantime, Talking Heads released a live album The Name of This Band Is Talking Heads, toured the United States and Europe as an eight-piece group, and parted ways with Eno,[39] who went on to produce albums with U2.[23] 1983 saw the release of Speaking in Tongues, a commercial breakthrough that produced the band's only American Top 10 hit, "Burning Down the House".[40] Once again, a striking video was inescapable owing to its heavy rotation on MTV.[41] The following tour was documented in Jonathan Demme's Stop Making Sense, which generated another live album of the same name.[42] The tour in support of Speaking in Tongues was their last.[43] .mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}} I try to write about small things. Paper, animals, a house… love is kind of big. I have written a love song, though. In this film, I sing it to a lamp. —David Byrne, interviewing himself in Stop Making Sense[44] Three more albums followed: 1985's Little Creatures (which featured the hit singles "And She Was" and "Road to Nowhere"),[45] 1986's True Stories (Talking Heads covering all the soundtrack songs of Byrne's musical comedy film, in which the band also appeared),[46] and 1988's Naked. Little Creatures offered a much more American pop-rock sound as opposed to previous efforts.[47] Similar in genre, True Stories hatched one of the group's most successful hits, "Wild Wild Life", and the accordion-driven track "Radio Head".[48] Naked explored politics, sex, and death, and showed heavy African influence with polyrhythmic styles like those seen on Remain in Light.[49] During that time, the group was falling increasingly under David Byrne's control and, after Naked, the band went on "hiatus".[6] In 1987 Talking Heads released a book by David Byrne called What the Songs Look Like: Contemporary Artists Interpret Talking Heads Songs with HarperCollins that contained artwork by some of the top New York visual artists of the decade. Tina Weymouth, pictured here performing in 1986, and her husband Chris Frantz formed the side project Tom Tom Club. In December 1991, Talking Heads announced that they had disbanded.[6] Frantz said that he learned that Byrne had left from an article in the Los Angeles Times, and said: "As far as we're concerned, the band never really broke up. David just decided to leave."[50] Their final release was "Sax and Violins", an original song that had appeared earlier that year on the soundtrack to Wim Wenders' Until the End of the World. Byrne continued his solo career, releasing Rei Momo in 1989 and The Forest in 1991.[31] This period also saw a revived flourish from both Tom Tom Club (Boom Boom Chi Boom Boom and Dark Sneak Love Action)[51] and Harrison (Casual Gods and Walk on Water), who toured together in 1990.[52] 1992–present: Post-breakup and reunions[edit] Weymouth, Frantz, and Harrison toured without Byrne as Shrunken Heads in the early 1990s.[53] In 1996, they released an album, No Talking, Just Head, under the name the Heads. The album featured a number of vocalists, including Gavin Friday of the Virgin Prunes, Debbie Harry of Blondie, Johnette Napolitano of Concrete Blonde, Andy Partridge of XTC, Gordon Gano of Violent Femmes, Michael Hutchence of INXS, Ed Kowalczyk of Live, Shaun Ryder of Happy Mondays, Richard Hell, and Maria McKee.[54] It was accompanied by a tour with Napolitano as the vocalist. Byrne took legal action to prevent the band using the name The Heads, which he saw as "a pretty obvious attempt to cash in on the Talking Heads name".[55] The band briefly reunited in 1999 to promote the 15th anniversary re-release of Stop Making Sense, but did not perform together.[56] Harrison produced records including the Violent Femmes' The Blind Leading the Naked, the Fine Young Cannibals' The Raw and the Cooked, General Public's Rub It Better, Crash Test Dummies' God Shuffled His Feet, Live's Mental Jewelry, Throwing Copper and The Distance to Here, and No Doubt's song "New" from Return of Saturn.[57] Frantz and Weymouth have produced several artists, including Happy Mondays and Ziggy Marley. The Tom Tom Club continue to record and tour intermittently.[58]Weymouth, Frantz, and Harrison at SXSW in 2010 Talking Heads reunited to play "Life During Wartime", "Psycho Killer", and "Burning Down the House" on March 18, 2002, at the ceremony of their induction into the Rock and Roll Hall of Fame, joined on stage by the former touring members Bernie Worrell and Steve Scales.[59] Byrne said further work together was unlikely, due to "bad blood" and being musically "miles apart".[60] Weymouth has been critical of Byrne, describing him as "a man incapable of returning friendship"[60] and saying that he did not "love" her, Frantz and Harrison.[15] In 2020, Frantz published a memoir about his relationship with Weymouth, Remain in Love, which covered the band's conflicts.[61] In September 2023, Stop Making Sense was rereleased in IMAX with remastered sound and picture to coincide with the film's 40th anniversary.[62] The band members reunited that month for a Q&A at the Toronto International Film Festival, following limited showings of the film in theaters,[61][63] and gave subsequent interviews together to promote the rerelease.[64] With regard to the possibility of a reunion tour, Harrison told the Los Angeles Times: "Right now, we're concentrating on Stop Making Sense and how much fun we're having revisiting the film. We're living in the moment, so that's all we're thinking about."[65] In January 2024, Billboard reported that Talking Heads had turned down an $80 million offer for a reunion tour, which would have included a performance at Coachella.[66] Influence[edit] AllMusic stated that Talking Heads, one of the most celebrated bands of the 1970s and 1980s,[6] by the time of their breakup "had recorded everything from art-funk to polyrhythmic worldbeat explorations and simple, melodic guitar pop".[6] In Pitchfork, Andy Cush described the band as "New York art-punks" whose "blend of nervy postmodernism and undeniable groove made them one of the defining rock bands of the late 1970s and ’80s."[67] Media theorist Dick Hebdige said the group "draw eclectically on a wide range of visual and aural sources to create a distinctive pastiche or hybrid 'house style' which they have used since their formation in the mid-1970s deliberately to stretch received (industrial) definitions of what rock/pop/video/Art/ performance/audience are", calling them "a properly postmodernist band."[8] Talking Heads' art pop innovations have had a long-lasting impact.[68] Along with other groups such as Devo, Ramones, and Blondie, they helped define the new wave genre in the United States.[69] Meanwhile, their more cosmopolitan hits like 1980's Remain in Light helped bring African rock to the western world.[70] Talking Heads have been cited as an influence by many artists, including Eddie Vedder,[71] LCD Soundsystem,[72] Foals,[73] the Weeknd,[74] Vampire Weekend,[75] Primus,[76] Bell X1,[77] the 1975,[78] the Ting Tings,[79] Nelly Furtado,[80] Kesha,[81] St. Vincent,[82] Danny Brown,[83] Trent Reznor[84] and Franz Ferdinand.[85] Radiohead took their name from the 1986 Talking Heads song "Radio Head",[86] and cited Remain in Light as a critical influence on their 2000 album Kid A.[87] The Italian filmmaker and director Paolo Sorrentino, receiving the Oscar for his film La Grande Bellezza in 2014, thanked Talking Heads, among others, as his sources of inspiration.[88] Members[edit] David Byrne – lead vocals, guitar (1975–1991, 2002) Chris Frantz – drums, percussion, backing vocals (1975–1991, 2002) Tina Weymouth – bass, backing vocals (1975–1991, 2002) Jerry Harrison – keyboards, guitar, backing vocals (1977–1991, 2002) Additional musicians[edit] Adrian Belew – lead guitar, vocals (1980–1981) Alex Weir – guitar, vocals (1982–1984) Bernie Worrell – keyboards, backing vocals (1980–1984, 2002; died 2016) Raymond Jones – keyboards (1982) Busta Jones – bass (1980–1981; died 1995) Steve Scales – percussion, backing vocals (1980–1984, 2002) Dolette McDonald – vocals, cowbell (1980–1982) Nona Hendryx – vocals (1980, 1982) Ednah Holt – vocals (1983) Lynn Mabry – vocals (1983–1984) Stephanie Spruill – vocals (1984) Timeline[edit] Discography[edit] Main article: Talking Heads discography Talking Heads: 77 (1977) More Songs About Buildings and Food (1978) Fear of Music (1979) Remain in Light (1980) Speaking in Tongues (1983) Little Creatures (1985) True Stories (1986) Naked (1988) See also[edit] List of dance-rock artists List of funk rock and funk metal bands List of new wave artists List of post-punk bands References[edit] .mw-parser-output .reflist{margin-bottom:0.5em;list-style-type:decimal}@media screen{.mw-parser-output .reflist{font-size:90%}}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman} ^ a b c .mw-parser-output cite.citation{font-style:inherit;word-wrap:break-word}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .citation:target{background-color:rgba(0,127,255,0.133)}.mw-parser-output .id-lock-free.id-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited.id-lock-limited a,.mw-parser-output .id-lock-registration.id-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription.id-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-ws-icon a{background:url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-free a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-limited a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-registration a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .id-lock-subscription a,body:not(.skin-timeless):not(.skin-minerva) .mw-parser-output .cs1-ws-icon a{background-size:contain;padding:0 1em 0 0}.mw-parser-output .cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;color:var(--color-error,#d33)}.mw-parser-output .cs1-visible-error{color:var(--color-error,#d33)}.mw-parser-output .cs1-maint{display:none;color:#085;margin-left:0.3em}.mw-parser-output .cs1-kern-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}@media screen{.mw-parser-output .cs1-format{font-size:95%}html.skin-theme-clientpref-night .mw-parser-output .cs1-maint{color:#18911f}}@media screen and (prefers-color-scheme:dark){html.skin-theme-clientpref-os .mw-parser-output .cs1-maint{color:#18911f}}Gans, David (December 1985). "Chapter One: Providence". Talking Heads: The Band & Their Music (First ed.). Avon Books. ISBN 978-0380899548. LCCN 85047829. OCLC 12938771. OL 2552512M. Retrieved January 4, 2023 – via Internet Archive. p. 24: When it came time to select a college and a course of study, Byrne eventually chose the Rhode Island School of Design. ^ a b c Talking Heads Rock and Roll Hall of Fame, retrieved November 23, 2008 ^ Erlewine, Stephen Thomas. "Talking Heads: Biography". AllMusic. Retrieved April 27, 2014. Jack, Malcolm (September 21, 2016). "Talking Heads – 10 of the best". The Guardian. ^ Marks, Craig; Weisbard, Eric (1995). Spin Alternative Record Guide. Vintage Books. Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984. Penguin Books (2005) p. 163. ^ Erlewine, Stephen Thomas. "Talking Heads: Biography". AllMusic. Retrieved April 27, 2014. Holden, Stephen (February 28, 1999). "MUSIC; They're Recording, but Are They Artists?". The New York Times. Retrieved July 17, 2013. ^ a b c d e f g h Erlewine, Stephen Thomas. "Talking Heads: Biography". AllMusic. Retrieved April 27, 2014. ^ "Head Games: 'Talking Heads: Chronology'" (PDF). PopMatters. February 22, 2012. Archived from the original (PDF) on April 27, 2015. Retrieved September 14, 2016. ^ a b Mitchell, Tony (October 1989). "Performance and the Postmodern in Pop Music". Theatre Journal. 41 (3): 284. doi:10.2307/3208181. ^ Demorest, Stephen (November 3, 1977). "Talking Heads '77". Rolling Stone. Retrieved August 3, 2019. ^ "The Songs That Shaped Rock and Roll". The Rock and Roll Hall of Fame and Museum. Archived from the original on March 17, 2010. Retrieved January 12, 2008. ^ "The Greatest – Ep. 215". vh1.com. Archived from the original on September 10, 2015. Retrieved April 29, 2015. ^ "100 Greatest Artists of All Time". Rolling Stone. 2011. Retrieved January 8, 2016. ^ Gittins, Ian, Talking Heads: Once in a Lifetime: the Stories Behind Every Song, Hal Leonard Corporation, 2004, p. 140. ISBN 0-634-08033-4, ISBN 978-0-634-08033-3. ^ Simon Reynolds. Rip It up and Start Again: Postpunk 1978–1984. Penguin Books (2005) p. 159. ^ a b Tina Talks Heads, Tom Toms, and How to Succeed at Bass Without Really Trying Gregory Isola, Bass Player, retrieved December 6, 2008. ^ Jacques, Adam (March 17, 2013). "How We Met: Chris Frantz & Tina Weymouth". The Independent. Archived from the original on May 26, 2022. Retrieved December 3, 2020. ^ Weymouth, Tina (1992). In Sand in the Vaseline. CD liner notes, p. 12. New York: Sire Records Company ^ Greene, Andy (July 11, 2013). "Flashback: Talking Heads Perform 'Psycho Killer' at CBGB in 1975". Rolling Stone. Retrieved April 23, 2014. ^ "Ramones, Jane's Addiction, Talking Heads manager passes away", NME Networks, January 14, 2009, retrieved January 14, 2009 ^ Ruhlmann, William. 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